In my sculptures, I strive to visualize the invisible: my experiences, inner conflicts and fears take shape in ceramics. The symbols that arise in my dreams and fantasies become the language of these works.

Dreams often give me images that are impossible to imagine in real life — bizarre reflections of my desires and anxieties. The boundary between reality and fiction, between what I see and feel physically and what is hidden inside, becomes blurred. This is the realm of my imagination, full of symbols and riddles.

What is real — the world that surrounds me or the one that I create in my mind and embody in ceramics?
My goal is to show how ceramics permeates my life and reflects my inner world.

I prefer to work with my hands, minimizing the use of tools, in order to feel the material and direct its energy. Each movement of my fingers leaves a mark on it, forming a unique texture that depends on my emotional state. Ceramics becomes a mirror in which I explore myself. Contrasting forms intertwine in my works — geometrically strict, angular, smooth, and flowing. I am attracted to the tactile nature of ceramics — its ability to be smooth, rough, even prickly.